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2003 single past Evanescence

"Bring Me to Life"
Evanescence - Bring Me to Life.png
Single past Evanescence
from the album Fallen
B-side
  • "Farther Away"
  • "Missing"
Released April 7, 2003 (2003-04-07)
Recorded 2002
Studio Ocean Studios, Burbank, California, U.South.
Genre
  • Nu metal
  • gothic metal
  • hard rock
  • alternative rock
Length 3:56
Label Air current-upwardly
Songwriter(s)
  • Amy Lee
  • Benjamin Moody
  • David Hodges
Producer(due south) Dave Fortman
Evanescence singles chronology
"Bring Me to Life"
(2003) 		"Going Under"
(2003)
Music video
"Bring Me to Life" on YouTube

"Bring Me to Life" is a song by American stone band Evanescence, recorded for their debut studio album, Fallen (2003). Air current-up released it as the lead single from the album on April 7, 2003. The track was written by grouping members Amy Lee, Ben Moody, and David Hodges and produced past Dave Fortman. It also features uncredited guest vocals from Paul McCoy of the band 12 Stones. "Bring Me to Life" is a nu metal, gothic metal, hard rock and an alternative stone song. According to Lee, "Bring Me to Life" has several meanings and inspirations; its subjects are an incident in a restaurant, open up-mindedness, and waking up to the things which are missing in the protagonist'southward life. Lee later revealed that the song was inspired by her long-time friend and husband Josh Hartzler.

The critical response to the song was generally positive, with critics praising the melody of the song, Lee's vocals and their accompaniment by McCoy. The song remains one of the band's signature songs. Following the inclusion of "Bring Me to Life" on the Daredevil soundtrack the vocal became a commercial and critical success, topping the charts in Australia, the United Kingdom and Italy. It charted in the elevation ten in more than than fifteen countries including the United States, Argentina, Germany and New Zealand. "Bring Me to Life" was certified platinum past the Recording Manufacture Association of America (RIAA) and twice platinum by the Australian Recording Industry Clan (ARIA). The lyrics of the song were interpreted by some every bit a telephone call for new life in Jesus Christ, which helped the song to nautical chart on the Christian rock charts, despite it not existence the songwriters' intention.

The ring won in the category for Best Hard Rock Operation at the 46th Grammy Awards where the vocal was also nominated for Best Rock Song. Directed by Philipp Stölzl, the accompanying music video shows Lee singing and climbing on a skyscraper while having nightmares in her chamber. "Bring Me to Life" was part of the prepare listing during the Fallen and The Open Door Bout. Many artists recorded cover versions of the vocal, including the classical singer Katherine Jenkins and American pianist, John Tesh. The vocal was also used on several television receiver shows and served as the official theme song for WWE's 2003 No Style Out effect.[ane]

Background and release [edit]

"Since we released [the song] on Daredevil information technology went all over the world, whether they wanted it to or not, so we had fans in countries nosotros had never been to because they had the soundtrack and they heard it on the radio. And then, it started bravado up all over the world so we had a reason to tour all over the globe. And that's how the whole international thing happened this early. Which is awesome."

—Amy Lee talking nigh the release and the worldwide success of the vocal.[2]

According to Amy Lee, the vocal has several meanings, the outset beingness an incident at a restaurant. During an interview from a tour terminate in Tulsa she told The Boston Phoenix: "I was inspired to write it when someone said something to me—I didn't know him, and I thought he might be clairvoyant. [...] I was in a human relationship and I was completely unhappy. But I was hiding information technology. I was being completely abused and I was trying to cover it up; I wouldn't fifty-fifty admit it to myself. So and then I had spoken maybe x or 15 words to this guy, who was a friend of a friend. We were waiting for everyone else to testify up, and we went into a eating place and got a table. And he looked at me and said, 'Are you happy?' And I felt my heart leap, and I was like, he totally knows what I'm thinking. And I lied, I said I was fine. Anyhow, he'southward non really clairvoyant. Just he is a sociology major."[3] Lee said in a VH1 interview: "Open-mindedness. It'south about waking up to all the things you've been missing for so long. 1 day someone said something that fabricated my middle race for a second and I realized that for months I'd been numb, just going through the motions of life."[4] During an interview with Blender, Lee claimed that she wrote "Bring Me to Life" almost her longtime friend, Josh Hartzler, whom she married in 2007.[5]

"Bring Me to Life" was released on April vii, 2003;[half-dozen] information technology was the first single from the band's debut album, Fallen. Wind-up Entertainment president/CEO Ed Vetri, revealed that when the label was pushing the vocal to the radio, owners stated "We don't play pianos and chicks on rock radio."[7] Nonetheless, when "Bring Me to Life" was released on the Daredevil soundtrack, listeners demanded air play for the song.[seven] The unmarried includes "Farther Abroad" as a B-side. The first pressing of the Australian single contained the rail "Missing" equally a B-side,[8] but this was omitted from later pressings and subsequently released as a bonus track on the band's start live album, Anywhere simply Domicile.[9] An acoustic version was recorded and released on the "Bring Me to Life" DVD. Several other versions of the track accept been released, such as remixes, acoustic and altered versions.

Recording and composition [edit]

Critics noted that "Bring Me to Life" had a sound similar to songs by American stone band Linkin Park.

"Bring Me to Life" was written by Amy Lee, Ben Moody and David Hodges for their commencement studio anthology Fallen.[10] Recording work for Fallen started at Ocean Studios in Burbank, California, where most of "Bring Me to Life" was recorded, prior to full album production.[11] The song was mixed by Jay Baumgardner in his studio, NRG Recording Studios in North Hollywood, on an SSL 9000 J.[11] A 22-piece string section was recorded in Seattle by Marking Back-scratch.[eleven] "Bring Me to Life" was mixed at the Newman Scoring Phase and Bolero Studios, both in Los Angeles.[11] The orchestra parts were arranged by David Hodges and David Campbell.[eleven] During an interview, Lee recalled that during the recording process of the vocal it was said to her that the song must characteristic male vocals: "It was presented to me every bit, 'You're a girl singing in a stone band, in that location's nix else like that out in that location, nobody's going to listen to yous. Yous need a guy to come up in and sing redundancy for it to exist successful.'"[12]

Co-ordinate to the canvas music published by Alfred Music Publishing on the website Musicnotes.com, "Bring Me to Life" is set in common time and performed in a moderate tempo of 95 beats per minute. It is written in the key of E Natural Small-scale and Lee's vocal range for the vocal runs from the low note of Aiii to the high note of D5.[13] In the song, 12 Stones singer Paul McCoy sings the lines "Wake me up/ I can't wake up/ Salvage me!" in a rap style.[14] [fifteen] The St. petersburg Times ' Brian Orloff called the vocal a "boffo hit" in which Lee sang the lines "'Call my name and salve me from the night' over surging guitars."[ii] Ann Powers from the Milwaukee Periodical Picket wrote: "'Bring Me to Life,' with its lyrical drama and crunchy guitars, branded the band equally overdone nu-metallic.".[16] "Bring Me To Life" has also been described as a hard rock[17] and culling rock[18] song. Blender writer Nick Catucci called the song a "crossover goth-metallic blast".[xix] Kristi Turnquist of The Oregonian called the song a power ballad.[xx]

Rolling Stone 'southward Kirk Miller wrote that: "...thanks to the vocal'southward digital beats, make clean metal-guitar riffs, scattered pianoforte lines and all-likewise-familiar mix of rapping and singing", "it was similar to Linkin Park's cloth.[21] Nick Catucci of The Village Voice found "...piano tinkles, Lee'due south breathless dandy, dramatic pauses, guitars like clouds of locusts, [and] 12 Stones singer Paul McCoy's passing-12-kidney-stones guest vocals."[22] Vik Bansal of musicOMH compared Evanescence'southward own song "Going Under" with "Bring Me to Life", noting their similarity to Linkin Park's textile.[23] Lee said, during an interview with MTV News: "Basically, we go through life every solar day, kind of doing the same thing, going through the motions, and nothing fazes us for the nearly part. Then one twenty-four hours something happens that wakes [you] upwardly and makes [you] realize that there'southward more than to life than merely feeling zippo, feeling numb. It's as if [yous've] never felt earlier and just realized in that location'south this whole earth of emotion or significant that [you've] never seen earlier. It'southward merely like, 'Wow, I've been comatose all this fourth dimension.'"[24]

Reception and accolades [edit]

AllMusic's Johnny Loftus called the vocal "flawless".[25] Co-ordinate to Sarah Rodman of The Boston Globe, the song "...is a mix of Lee'southward ethereal soprano, piano interludes, and layers of serrated guitar crunch that conjure visions of Sarah McLachlan fronting Godsmack."[26] In his review of Evanescence's second studio anthology, The Open Door, Brendan Butler of Cinema Blend compared "Sweet Sacrifice" (2007) with "Bring Me to Life" calling them "...radio-friendly songs."[27] Jason Nahrung of The Courier-Mail called the song "...an ear-grabber".[28] Adrien Bengrad of the website PopMatters said that Lee and McCoy fabricated "Bring Me to Life" sound "...like a love song between a Lilith Fair daughter and an Ozzfest dude."[29] Blair R. Fischer from MTV News called the song a "...ubiquitous rap-rock confection".[xiv] Kelefa Sanneh of The New York Times said that "Bring Me to Life" "...floats like a butterfly, stings similar a bee and so hits like a brick."[xxx] Richard Harrington from The Washington Postal service called "Bring Me to Life" a "...crunching metallic" song which helped the band to win a Grammy Award.[31] Joe D'Angelo called it an "...unrelenting paean that begins as hauntingly delicate" and that "Lee's vocals soar above the whole sludgy mixture to continue it from sinking into tired mediocrity."[24]

Ann Powers from the Milwaukee Journal Sentinel called the song a "...mix of voluptuous singing and metal guitar (the latter enhanced by guest vocaliser Paul McCoy's rap-rock declamations)".[16] Bryan Reeseman of Mix wrote that the song was a "...grandiose and moody unmarried" which features a "...dramatic trade-off" betwixt Lee and McCoy.[11] While reviewing Evanescence'southward second studio album, Don Kaye of Blabbermouth.net praised the songs on The Open up Door saying that they lacked "...the annoying fake-rapping that was a primal component of the band'south offset big hit, 'Bring Me To Life' (here'southward hoping that more rock bands feel less force per unit area to include some sort of hip-hop nod on their records)."[32] David Peschek of The Guardian said: "Take away the identikit rock riffs and Bring Me to Life could be a Britney Spears song, or one of those cheesily portentous techno-pop mini-symphonies for the Gatecrasher kids."[33] Nick Catucci of The Village Voice compared the vocal with works by American stone band Creed, and said that it sounds like "church-burning, encephalon-eating European dark metal."[22] John Hood of the Miami New Times called "Bring Me to Life" a "... huge, heavy, and mightily histrionic" vocal while complimenting McCoy'due south "... rap-infused gruff" and Lee's soaring voice.[34]

"Bring Me to Life" won a Grammy Laurels for Best Hard Rock Performance at the 46th Grammy Awards.[35] [36] [37] The vocal was nominated in the category for Best Stone Song at the same event but lost to "Seven Nation Regular army" past The White Stripes. "Bring Me to Life" won an award for Selection Music Rock Rail at the Teen Selection Awards in 2004.[38] At the 2003 MTV Video Music Awards the band was nominated in the category for Best New Artist for "Bring Me to Life".[39] The song was nominated at the 2003 MTV Europe Music Awards for All-time Song.[40] [41] At the 14th annual Billboard Music Awards, it won the honor for Soundtrack Single of the Yr.[42] The song ranked number 69 on VH1'south 100 Greatest Songs of the 2000s.[43]

Chart performance [edit]

"Bring Me to Life" peaked within the meridian 10 of more fifteen countries, and within the top 20 of several other countries, making it the ring's most successful single to date. It was certified Platinum in 2003 for selling more than i one thousand thousand copies in the United States.[7] It topped the Billboard Alternative Songs and Pop 100 charts and peaked at number five on the Billboard Hot 100.[44] It also peaked at number 4 on the Developed Pop Songs chart. The song initially peaked within the Christian stone charts too, because its lyrics were interpreted as a call for new life in Jesus Christ by several listeners.[45] [46] "Bring Me To Life" charted at number 73 on Billboard 's Best of the 2000s Rock Songs Chart, the merely vocal by a female-led band on that chart.[47] The song topped the charts of Australia, Belgium, Italia and the United kingdom. It peaked within the top five of Austria, Canada, French republic, Ireland, Germany, New Zealand, Norway, Netherlands, and Sweden. On the ARIA Singles Chart, "Bring Me to Life" peaked at number 1 where it stayed for vi weeks.[48]

"Bring Me to Life" charted within the height 20 of every other country of its release. In the United Kingdom, the song spent four weeks at the tiptop of the UK Singles Chart, which in turn helped Fallen peak at the top of the United kingdom of great britain and northern ireland Albums Chart.[49] [l] The song too topped the European Hot 100 chart.[51] On June 4, 2011, the song returned to the top of the United kingdom Stone & Metallic Singles Chart, eight years subsequently its original release, remaining at number one for two weeks, on June 11, 2011, to June 25, 2011. It vicious to number two, remaining there for three weeks, and on July 17, 2011, "Bring Me to Life" returned to number ane over again and remained there for 3 weeks. The song remained within the peak 10 into October 2011.[52] As of June 2018[update], the song has sold more than 745,000 copies in the United kingdom.[53]

Music video [edit]

The accompanying music video for "Bring Me to Life" was directed by Philipp Stölzl.[54] [55] After the success of the video, Lee received some film offers.[56] Talking almost the video, Stölzl said: "On the 1 hand, it brings out the most tricky office of the song, the bridge, the duet with the male and female vocals. On the other manus, information technology reflects the ['Daredevil'] soundtrack background of the song. I did non know if I would have to use a stunt double for most of the angles, which would have restricted me a lot, but so it turned out that Amy did everything herself, hanging on Paul'due south arm for hours without getting tired. In the end, she is the one who fabricated that shot strong."[54]

The video begins with Amy Lee dressed in a greyness nightgown, barefoot and asleep in a bed within a building, dreaming of falling through the air below a skyscraper. As the chorus begins, the band and Paul McCoy are performing in some other room as Lee awakens and makes her way to the window. Lee exits the room out of the window and proceeds to climb up the side of the building with the wind bravado her hair and nightgown until she reaches the window of the room where the band is performing. During the bridge, McCoy notices Lee and opens the window, which causes her to lose her balance, and she grabs the ledge she was previously continuing on. Throughout the span and final chorus, McCoy unsuccessfully attempts to pull Lee upwardly, and she falls from his grasp downward the edifice. Nevertheless, she is and then shown comatose in her bed again.

On Feb 1, 2022, the video for "Bring Me to Life" surpassed 1 billion views on YouTube.[57]

Ann Powers from the Milwaukee Journal Lookout wrote: "Y'all might not immediately recognize Amy Lee's proper name, only y'all would know her if she plummeted past you from the top floor of a tenement edifice" and: "That's how anyone with basic cablevision starting time saw the vocaliser for the band Evanescence, in the video for the song "Bring Me to Life": falling astern in irksome motion, her pilus unfolding like a long black veil equally she headed for hard pavement below."[16] Co-ordinate to Joe D'Angelo of MTV News, Lee's "...teetering on a ledge" in the video shows a "...distressed and emotionally wrought heroine."[58] Corey Moss of MTV wrote: "...certainly every bit intense equally a superhero movie, the sequence also gives a nice visual to the vocal'southward most memorable lyric, 'Salve me.'"[54] MTV's Gil Kaufman wrote that "...singer Amy Lee dreams that she has super Spidey powers, climbs up the outside of a building, spies on her creepy neighbors, then plunges into the abyss"[59] and added, "...even if your boyfriend is a buff rap-rocker guy, he might not be able to save you lot from falling off a 20-story building to your decease. And don't play on ledges in a bouncing dress on windy days."[59] John Hood of Miami New Times wrote that the "gothopolis backdrop" used in the video "would make Tim Burton dark-green with green-eyed".[34] The music video for "Bring Me to Life" was nominated at the 2003 MTV Video Music Awards for Best Rock Video, only lost to Linkin Park's "Somewhere I Vest".[39]

Amy Lee was a fan of the Xena: Warrior Princess tv series and identified herself with the titular protagonist whose similarity to Wonder Adult female was largely reflected in her relationship with Ares (DC Comics) role player Kevin Smith. In 2002, Smith died from a fall similar to the 1 shown in the music video of "Bring Me to Life" while preparing to film Tears of the Sun.[60]

Alive performances [edit]

A man with brown hair is wearing a black T-shirt and black trousers while playing on a blue guitar. Tattoos are visible on both of his arms.

During the live performances of "Bring Me to Life", McCoy was replaced by John LeCompt.[14] [61]

Evanescence performed "Bring Me to Life" as part of the set-lists of the Fallen and The Open Door tours. The band performed the song on August thirteen, 2003, in Chicago during their Nintendo Fusion Tour. During the performance, erstwhile Evanescence guitarist John LeCompt replaced McCoy during the song.[fourteen] Co-ordinate to Blair R. Fischer: "The guitarist did an acceptable chore imitating McCoy while he laid downward the vocal's fiery, Iron Maiden-esque riff."[14] The band performed "Bring Me to Life" in Wantagh, New York on July 23, 2004. Co-ordinate to Joe D'Angelo from MTV News: "the massive popularity of the song was a smart set-list associates that helped the oversupply answer in kind."[62] A live performance from the bout filmed at Le Zénith in Paris is included on the band's live album Anywhere merely Home. The live recording contains a pianoforte and vocal solo before the song'southward intro and features John LeCompt performing invitee vocals.[63] The song was performed on November 21, 2007, at WaMu Theater.[64]

Evanescence performed "Bring Me to Life" at the Webster Hall in New York City in September 2003.[30] During the functioning, Lee wore an Alice in Wonderland dress covered with scrawled words, including the words Dirty, Useless, Psycho and Slut.[30] She explained her reasons for wearing the wearing apparel. On her previous visit to New York City, Lee had met a DJ from the radio station K-Rock, who had made what she called horrible comments about the pleasure he had derived from the picture of her face on the cover of Fallen.[30] She had felt too aback to say annihilation, so she decided to respond through the dress, which represented something innocent that had been tainted.[xxx] The ring performed "Bring Me to Life" during their concert at The Saltair on October 25, 2006. Lee wore red and black, with a brim.[65] She was chosen a magnet of the night past the Deseret News ' reviewer Larry D. Curtis.[65] Other performances of the vocal were in Magna, Utah in October 2006,[66] and the Air Canada Middle in January 2007.[67] The ring as well played the song at a secret gig in New York City on November 4, 2009.[68] During their concert at War Memorial Auditorium in Nashville, Tennessee on Baronial 17, 2011, Evanescence performed "Bring Me to Life" to promote their third anthology, Evanescence.[69] They also performed the song during the 2011 Rock in Rio festival on October 2, 2011.[70] While reviewing a concert by the band, Caroline Sullivan wrote "Slowly raising her artillery during Bring Me to Life's thunderous, strobe-lit fade-out, she's missing only a chariot."[71]

On February xvi, 2020, Lee performed the song with Wagakki Ring at Osaka-jō Hall.[72]

Christian controversy [edit]

Evanescence were promoted in Christian stores until the band made it clear they did not want to be considered part of the Christian stone genre, such every bit young man Air current-upwardly Records artists Creed. In April 2003, Wind-up Records chairman, Alan Meltzer, wrote to Christian radio and retail outlets to explain that, despite the "...spiritual underpinning that ignited interest and excitement in the Christian religious community", Evanescence are "...a secular band, and as such view their music as entertainment."[73] Therefore, he wrote, Current of air-Up "...strongly feels that they no longer vest in Christian markets."[73] Nearly immediately, many Christian radio stations removed "Bring Me to Life" from their playlists.[73] Terry Hemmings, CEO of Christian music distributor Provident, expressed puzzlement at the ring'southward about-face, saying: "They conspicuously understood the anthology would exist sold in these [Christian music] channels."[74] In 2006, Amy Lee told Billboard that she had always opposed Evanescence being identified equally a Christian band.[75] She further added, "Can we please skip the Christian matter? I'm and so over information technology. Information technology'southward the lamest thing. I fought that from the start; I never wanted to exist associated with it. It was a Ben thing. Information technology's over. It'southward a new mean solar day."[75]

2017 arrangement [edit]

"Bring Me to Life (Synthesis)"
Single by Evanescence
from the anthology Synthesis
Released August xviii, 2017 (2017-08-eighteen)
Genre
  • Orchestral
  • electronica

In 2017, a rearranged version of the vocal was recorded for the band'south start remix album Synthesis. The new version was made available for digital download and streaming on August 18, 2017; information technology was also fabricated bachelor for instant download for concertgoers who purchased tickets for the band's Synthesis Tour.[76] The Synthesis version of "Bring Me to Life" is a stripped-down ane, as it replaces the drums and the guitars from the original version with a strings organisation accompanied by crashing cymbals, "tension-building" timpani drums and various electronic elements throughout.[77] [78] It too removes the rap elements of Paul McCoy'due south voice. Several critics have described its new organization every bit "dramatic", with Billboard 's Sadie Bell calling it "merely as rich" as the original and Rolling Rock 's Brittany Spanos calling information technology a "cinematic take".[77] [79] Lee has described the song as "new" to her over again due to the fact that she incorporated musical elements and vocals which she had "heard in [her] head" since its release.[79]

Credits and personnel [edit]

Credits are adapted from Fallen liner notes.[x]

  • Amy Lee – writing, keyboards, vocals
  • Ben Moody – writing, producing, guitars, percussion
  • David Hodges – writing, keyboards, cord arrangements
  • Josh Freese – drums
  • Dave Fortman – producing
  • Francesco DiCosmo – bass guitar
  • David Campbell – additional cord arrangements
  • Graeme Revell – string arrangements, orchestral conduction
  • Paul McCoy – vocals (uncredited)

Runway listings [edit]

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Katherine Jenkins version [edit]

"Bring Me to Life"
Katherine Jenkins - Bring Me to Life.jpg
Single by Katherine Jenkins
from the album Believe
Released October 23, 2009 (2009-10-23)
Length iii:46
Characterization Warner Records
Songwriter(s)
  • Lee
  • Moody
  • Hodges
Producer(s) David Foster
Katherine Jenkins singles chronology
"I Believe"
(2009) 		"Bring Me to Life"
(2009) 		"Angel"
(2009)

Welsh classical singer Katherine Jenkins recorded a comprehend version of "Bring Me to Life" on her 2009 album Believe. Jenkins said: "I'd mentioned that I wanted to endeavour Evanescence's Bring Me to Life and David [Foster] said 'you tin't sing that'. I came out there questioning my vocal abilities. I'm merely not used to beingness told that. I went dwelling that nighttime and I only thought to myself 'you lot have to pull yourself together, he's worked with then many incredible artists you take to step upwards the plate.' I did talk myself round and I went in at that place the next twenty-four hours on a mission. Information technology's skillful to be pushed sometimes – and I proved him incorrect!"[152] Jenkins decided to alter the guitar-led and percussive original version and instead, "make information technology more orchestral with the percussion coming from the strings."[153] Alfred Hickling of The Guardian gave a mixed review of Jenkins' cover, calling it "histrionic."[154] However, a writer of BBC Online chose her version of the song as a highlight on the album.[153] On October 23, 2009, the song was bachelor for digital download as the 2nd single from Believe.[155] On November 23, 2011, Jenkins sang the song alive at the Leicester Square station in London.[156]

Track listing [edit]

Digital download[155]
No. Title Length
ane. "Bring Me to Life" iii:46
2. "Bring Me to Life (Almighty Club Mix)" 7:03
3. "Bring Me to Life (Almighty Guild Radio Mix)" 3:07

Weekly charts [edit]

Chart (2009) Summit
position
Federal republic of germany (Official High german Charts)[157] 46
Britain Singles (OCC)[158] 74

See also [edit]

  • List of number-one singles of 2003 (Commonwealth of australia)
  • Listing of number-1 hits of 2003 (Italia)
  • List of UK Singles Chart number ones of the 2000s
  • List of Billboard number-one culling singles of the 2000s
  • List of Billboard Mainstream Meridian 40 number-one songs of 2003
  • Listing of UK Rock Chart number-one singles of 2003
  • List of Uk Rock Chart number-1 singles of 2011

References [edit]

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